In recent years, there has been increasing attention within both ecocriticism and horror studies to the intersections between the two fields. The country/city split and the civilized person’s fear of the wilderness and rural spaces, key issues for ecocritics, also loom large over the horror genre.
Texas Chain Saw Massacre (1974)
Furthermore, there are entire horror subgenres dedicated to the revenge of wild nature and its denizens upon humanity. As Rust and Soles write, ecohorror studies “assumes that environmental disruption is haunting humanity’s relationship to the non-human world” as well as that ecohorror in some form can be found in all texts grappling with ecocritical matters (509-10).
There have been some critical examinations of this intersection – e.g., Ecogothic, edited by Andrew Smith and William Hughes (2013); an ecohorror special cluster in ISLE, edited by Stephen A. Rust and Carter Soles (2014); Monstrous Nature: Environment and…
View original post 265 more words